Annabelle Agbo Godeau
Info: Looking at Annabelle Agbo Godeau’s latest work through the glass front of the BPA space is like watching a twisted kind of peepshow. Two athletic performers in short red dresses descend from the ceiling into what appears to be a mise-en-scène of femininity. Instead of one-way mirrors, behind which usually other anonymous spectators would linger, a triptych establishes the scenography of the show. With a bright smile, beaming at you through heavy makeup, you are invited to stay and watch. Both performers quickly confirm every suspicion of their fraudulence, as they turn out to be just cut-outs from a painted piece of canvas. Their resemblance is more akin to cinematic and theatrical scenographies or so-called paper peepshows from the 19th century, rather than fleshed-out acrobats. Or maybe they are placeholders, waiting for the actual performers to return and resume the show. (…) The exhibition can be viewed trough the window 24/7.